Artist what is

Or, maybe, a barrier; something that, more often than not, separates artists from those who want to be artists. Having an idea is fairly easy. Making into something is the challenge. The artist must believe that they are able to make the thing they have in their head. Even if it will be difficult, they have to believe that it is possible. Now comes the tricky part. Turning that idea into something that actually exists. They determine the skillset they need, and they practice. And when they fail, failure is inevitable at some point see the earlier note r.

When it comes to the actual creation, art — and the artist — needs to find a balance. This goes for both the process of the work and the ideas themselves. You can balance conservative tendencies with rebellious principles; your emotions and those of the people around you; real life and fantasy.

The balance will allow the artist to determine what is important to their work, and what is not. Vincent Van Gogh , for example, famously left patches of unfinished canvas on Starry Night. This is certainly not perfection — but those spots were left empty because Van Gogh decided to leave them, not because he lacked the skill to fill them. Because it can get pretty scary, showing the world an idea that germinated in your emotions and came to be through your ideas and skills.

You can get hurt. Not only that but as an artist grows, they have to admit their current failings. How can you improve if you think of yourself as perfect?

Being open to criticism means learning new things and constantly expanding what you can do. This is so because there is scarcely a person so devoid of genius as to fail of success if he applies himself earnestly to one branch of study and practices it continually. They follow new ideas. They build their skills, then use them to turn their ideas into something real. Continue reading.

Home » Art ». Art , Featured. October 17, Posted by Afzal Ibrahim. Who is an Artist? Easy, you may say. The scholarly term is still employed today although many college graduates may not see themselves as artists unless of course, they have studied in areas of the creative arts such as writing, music or performance.

In contemporary culture, creativity in domains of the arts, science and crafts still possess somewhat of a mystical quality. The Artist's Manifesto is a short book about staying true to our art. It is a call to Artists and Creatives like you to create from the heart with passion and integrity, disregarding the need for applause and recognition. Paperback is out 15th Oct Grab your FREE copy here. From the earliest study of the design and structure of the universe, including human beings, there was never much doubt regarding the existence and influence of these supernatural forces.

Each of the Muses was believed to be the guiding spirit and source of creative inspiration to artists, philosophers and scientists of the time. The ancient Romans too had their links between the divine and artistic expression through the term genius.

The term initially stood for the noble spirit who guided a person through life and afforded them distinct individuality. Later, during the Renaissance period in Europe, the word became a reference to someone with supernatural gifts, intelligence or talent. These days, there exists the widespread notion that creativity, and the artist by association, is something as banal as a binary system. To some investigators, our creative expertise is no longer mysterious. It is merely the result of practice and repetition, resembling that which is programmed into a machine.

Psychologists such as Anders Ericsson mostly believe that your creative exploits are no more than the results of dedication to your craft. Maybe this is so, but if it was, how then would any domain of work ever develop something previously undiscovered?

How would we ever see beauty in anything ever made if it were merely the product of ones and zeros? Through the reductionist ideas of science which have come prominence, we have reduced the wonder and marvel of art to a stale and soulless process of a dumb and random universe.

Click To Tweet. Today, when we refer to art and those who practice it, we are generally referring to someone we consider creative, someone who makes original bespoke things, writes, paints, draws or performs in some way.

Artists are slightly off centre, they live somewhat of a bohemian lifestyle, maybe a little crazy or challenged socially in some way. The term artist is really quite broad and can include people from all walks of life, engaged in all areas of expertise, within all personality types and may or may not be doing their work for a living. In many respects, the concept we hold in mind of what an artist is, dictates how we pursue our careers. Although the sculpture of Gudea was clearly carved by a skilled artisan, we have no record of that person, or of the vast majority of the artisans and builders who worked in the ancient world.

Who they worked for and what they created are the records of their lives and artistry. Artisans were not valued for taking an original approach and setting themselves apart when creating a statue of a ruler such as Gudea: their success was based on their ability to work within standards of how the human form was depicted and specifically how a leader should look within that culture at that time. The large, almond-shaped eyes and compact, block-like shape of the figure, for example, are typical of sculpture from that period.

This sculpture is not intended to be an individual likeness of Gudea; rather, it is a depiction of the characteristic features, pose, and proportions found in all art of that time and place. Objects made out of clay were far more common in the ancient world than those made of metal or stone, such as the Seated Statue of Gudea, which were far more costly, time-consuming, and difficult to make.

Human figures modeled in clay dating back as far as 29,, BCE have been found in Europe, and the earliest known pottery, found in Jiangxi Province, China, dates to c. Vessels made of clay and baked in ovens were first made in the Near East c. Ceramic clay hardened by heat pots were used for storage and numerous everyday needs. They were utilitarian objects made by anonymous artisans. Among the ancient Greeks, however, pottery rose to the level of an art form. But, the status of the individuals who created and painted the pots did not.

Although their work may have been sought after, these potters and painters were still considered artisans. The origins of pottery that can be described as distinctively Greek dates to c. Over the next several hundred years, the shapes of the vessels and the types of decorative motifs and subjects painted on them became associated with the city where they were produced, and then specifically with the individuals who made and decorated the pots.

The types of pots signed by the potter and the painter were generally large, elaborately decorated or otherwise specialized vessels that were used for ritual or ceremonial purposes. That is the case with the Panathenaic Prize Amphora, BCE, signed by Nikodemos, the potter, and attributed to the Painter of the Wedding Procession, whose name is not known but is identified through similarities to other painted pots Figure 1.

The Panathenaia was a festival held every four years in honor of Athena, the patron goddess of Athens, Greece, who is depicted on the amphora , a tall, two-handled jar with a narrow neck. Only the best potters and painters were hired to make pots that were part of such an important ceremony and holding such a significant prize.

While the vast majority of artisans never identified themselves on their work, these noteworthy individuals were set apart and acknowledged by name.