Win win movie rating why is it r

His only other acting role was in a sixth-grade production of "The Pirates of Penzance". Quiet and understated on many fronts, Win Win looks at those choices and relationships that color and mold the direction of life. Fortunately, it also gives its characters a chance to redeem themselves and get back in the win column.

Violence: A teen character pushes a woman onto a bed and holds his hand over her mouth. A young man sports a black eye that he purportedly got from an adult male. Sexual Content: Male buttock nudity is seen when a man moons another.

Some other brief innuendo is included. Language: The script contains numerous strong sexual expletives, frequent scatological slang, profanities, crude remarks and terms of Deity.

The script contains some discussion about the harm of smoking. Characters drink with dinner and in other social settings. Mike gets after his six-year-old daughter for swearing even though he and his wife do it.

What type of language is allowed in your home? Is there a different standard for children and adults? A sign at a food outlet in this film reminds customers to not use cell phones while ordering.

How does art reflect life with this sign? What other examples of current trends or products are depicted in this film? How does his treatment of individuals affect their lives? That's a sitcom. You have a funny situation, and there's some truth in it and unexpected characters, well-acted, and you may not have a great film but you enjoy watching it.

He can play sweet, but he's most at home in a role like this: Mike Flaherty, a mediocre lawyer in a New Jersey town, who can't make ends meet. He loves his kids and his wife, Jackie Amy Ryan , but he doesn't like his work, he doesn't have the money to fix the boiler in the basement of his office, and he will happily wait until the dead tree in his front lawn falls on the house before he does anything about it.

Mike volunteers as the wrestling coach for the local high school team. You could not call this a passion. It is more of a task he has stubbornly set himself. Perhaps, years ago and in another body, he was a high school wrestler. He shares his office with an accountant named Stephen Jeffrey Tambor , who is now also the assistant wrestling coach. It's a good thing the team usually loses, because you cannot easily imagine Tambor smiling.

Relieved satisfaction is about the limit of his capacity for elation. Joining them in a coaching triumvirate is Mike's best friend, Terry Bobby Cannavale. Leo is moving into Alzheimer's, and refuses to leave his home of many years. This is immoral and dishonest, but Leo will indeed probably be better off there, and Mike needs the money. All of these scenes remind me of the detail and human qualities of McCarthy's two previous films, which involved sharply defined personalities in situations where their lives were interrupted by strangers.

In " The Station Agent " , a movie I would happily stop everything to watch again right now, Peter Dinklage played a dwarf obsessed with trains, who found his privacy invaded by a lonely woman Patricia Clarkson and a strange hot dog stand owner Bobby Cannavale. In " The Visitor " , Richard Jenkins played a withdrawn widower who finds a family of African immigrants has moved into his apartment.

Yes, those are technically sitcom situations. But both are more, and much deeper, than just comedies. The MPAA should be ashamed of itself. Just print that. I agree with Dana. Film-makers use too much profanity, and it has an influential effect on young people. A film meant to be seen by teenagers should not use profanity. Do the math people. Drop the F Bombs or rather , get rid of them. They are unnecessary.